The Children Under the House Is Analog Horror At Its Most Creative

If you need a more extreme example of why real artists will never have to resort to algorithmic shenanigans in order to tell a compelling story, look no further than Paul Catalanottos analog horror experiment The Children Under the House. Theres a recurring argument often used in the defense of artificial intelligence that claims that [] The post The Children Under the House Is Analog Horror At Its Most Creative appeared first on Bloody Disgusting!.